Black History Month: Belleville Three
These men changed my life. Maybe they also changed yours. Maybe they did and you don’t realize it. Juan Atkins, Derrick May, and Kevin Saunderson, the “Belleville Three,” are the undisputed architects of techno. Influenced by disco and its infant offspring, house, these innovators reinterpreted prototypical electronic music to reflect the unyielding urban landscape of their hometown, Detroit. The result was a sound that was both warm and soulful but also icy and forward thinking, as opposed to House music’s sometimes throwback feel. To create this music, they reached for instruments that they could afford: the “obsolete” analog drum machines and synthesizers that people pawned off and junked in favor of the glossy new FM synthesis models. It turns out that these old, unwanted devices produced fat, warm, and futuristic sounds that fit perfectly with their artistic vision. Necessity, as they say, is the mother of invention. These cats took lemons and painted them gold.

Words by Jonathan Keith

[Why does everyone forget about the black technosoul that is Eddie Fowlkes? The man was definitely part of Detroit's first guard. -ED]

Essential listening:

Cybotron (aka Juan Atkins) “Clear
Rhythim Is Rhythim (aka Derrick May) “Strings Of Life
Kevin SaundersonTranzister
Eddie “Flashin” FowlkesGoodbye Kiss

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  • technoliker

    Nice! But dont make it sound so second hand–these guys were the sons of a generation of decently paid autoworkers when manufacturing work afforded comfy suburban life in the midwest (look up Belleville, MI). The stuff they used was cutting edge in the region during the early 80s when they started. . .guitar players keep their instruments and so did these guys.

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