So before you start trolling hard on this post, just read it… then after you read it you can troll all you want. Fair?
Yes, DJing on vinyl these days might seem like a bit of a step backwards for most of the aspiring jocks out there, and for some even at bit antiquated. Vinyl still has a place in modern DJing, although it maybe more of an enthusiast’s thing kind of like film is to the photography world.
Aside from just the cool factor there are some hardcore fundamentals that one learns when learning to use vinyl that will truly make you a better DJ.
Here are 5 Reasons You Should Learn To DJ With Vinyl:
1. Understanding of Touch, Back Cueing, Scratching
When I was first learning to DJ I had one break through moment that made everything clear - it was learning how to back cue. When I rotated the record backwards I truly understood where the bass, high-hat, snare, kick drum and other percussion were in the track. Next was learning to scratch, learning how to manipulate those sounds into a scratch and physically doing it with a record was substantial in understanding mixing and transitions – touching the vinyl and the platter of a CDJ is a completely different experience. You might compare it to wearing or not wearing a condom during sex…
When you touch and see the grooves of a record it somehow brings you closer to the song, and let’s you get more intimate with it. I never learned how to scratch that well, but through it I learned the art of touch.
2. Hearing The Mix
Vinyl is unforgiving, or I should really say the turntables are unforgiving. Back in the day DJing at a club was a lot like the Forrest Gump quote “You never know what you’re gonna get…” You might show up to perfectly tuned 1200 MK5s or some busted up pair of Geminis with a broken tone arm. Thing is you had to make it work, either through MacGyver tactics (like the penny on the needle trick) or through constantly monitoring the records through your entire mix. So this is where your ears were (and still are) essential, you had to make sure the mix was tight through listening, not wave forms or sync buttons. Why is this essential? Because your ears are always right, if it sounds like shit, it is shit, and you should always trust that instinct. Sync buttons can easily fail you, just because your bpm’s are matched does not mean your mix will sound good. Vinyl is like Mr. Miyagi’s “Wax On, Wax Off” training for your ears.
Now-a-days it’s easy to simply go on Beatport or Soundcloud and download a shit ton of music, throw it into Rekord Box or Mixed In Key and have it all sorted out by BPM, Key and even Energy Level. While this is great on many levels, it also kills the craft of really carefully selecting your records. With vinyl you are limited by both the cost of the music (unless you are loaded) and the space in your record box. So for the most part you can only take 50-100 records with you to a gig and when you are playing wax you are a hell of a lot more selective about what’s in there. When you are more critical of your music chances are you are playing the best of what you got, which is good for everybody. All killer no filler. Last but not least you also have a much better understanding on how to put all of your records together because you have spent so much time with them.
4. Sound Quality
No I’m not going to go on a rant about analog vs. digital here, that’s not the point. I’m not an audiophile but I know when something sounds warm and strong and when something sounds crispy and shitty. When you play vinyl you are hearing analog waveforms and those have a very distinctive sound to them that let you hear the details of your music. Records can sound crappy too, if you have a record that was not pressed or mastered well chances are it will sound light and thin compared to one that is done well. This is the same for compressed digital music vs. uncompressed digital music; CDs/WAV files just sound better and more robust then an MP3 so many DJs still opt to play WAVs. Analog sound let’s you truly understand the foundation of what music should sound like at it’s best and you can work backwards from there.
Yeah, I’m going there. Vinyl weeds out people that don’t really want it. It takes hours of practice to learn how to get it perfect, it’s expensive and not to mention really really fucking heavy. It’s just like when Chandler put Rick Cain on the really old Hawaiian surfboard and made him graduate to the foam/resin boards only when he had reached a certain skill level. North Shore rules.
“I only make boards one way, the right way.” – Chandler, North Shore
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