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Ambient Meditations Season 2 - Vol 30 - The Notwist

Ambient Meditations returns for its second season and kicks things off with indie darlings The Notwist
AM 30 The Notwist

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Ambient Meditations Season2 - Vol 30 - The Notwist

Happy New Year! Welcome to season two of The Ambient Meditations Podcast, and hopefully, after all this craziness, things will start looking up as we get into 2021. To kick off the new year, we have one of our favorite indie bands, The Notwist, who have a new album, Vertigo Days coming out on January 29th. We got the chance to catch up with Markus Acher to talk about the album, the year gone by, and their mix for AM. The Notwist drift between soft indie rock to experimental electronic music effortlessly, never able to be truly defined in one way or another. This mix is a testament to that, and we hope you love its quirkiness as much as we do.

AM Vol 30 By The Notwist / Track Listing

1. John Tchicai - Lied

2. Naran Ratan - Forevertime Journeys

3. Jon Hassell - Tucan Ocean

4. Cate Le Bon / Group Listening / Ed Dowie - Here It Comes Again

5. Crescent - Abstract Forms

6. Mirka Krivankova - Minimalni Dotekey (Mixed with: The Books - Meditation Outtakes)

7. Babyfather / Micachu - God Hour

8. Moondog - Pacific Oceans (Rain Forest)

9. Devon Loch - Canoo

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10. Mica Levi - Love

11. Michael Andrews - Library Chant (Soundtrack of "Me And You And Everyone We Know)

12. Carl Stone - Banteay Srey


Soundcloud Season 2 Playlist 


Monthly Spotify Playlist (Updated Weekly)


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More on The Notwist:

On Vertigo Days, the first album in six years for The Notwist, one of Germany's most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they've always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, "we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity."

It's been six years since The Notwist's last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasinho), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There's something cinematic about Vertigo Days too, reflective of the group's time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover.

The first sign of this newfound openness was the album's lead single, "Ship", where the group were joined by Saya of Japanese pop duo Tenniscoats, her gorgeous, disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on the gorgeous "Oh Sweet Fire", also contributing "a love lyric for these times, imagining two lovers in an uprising hand in hand." American jazz clarinettist and composer Angel Bat Dawid adds voice and clarinet to the spaced-out dream-pop of "Into The Ice Age", while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to "Al Sur". Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways.

Indeed, what's most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it's perfect for the long-distance, dedicated listening experience. This is also captured by the album's lyrics, which Markus states, "feel more like one long poem." The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: "As the situation changed so dramatically, while we were working on the record, the theme of 'the impossible can happen anytime,' more about personal relationships in the beginning, became a global and political story." But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. "It's maybe mostly about learning and how you never arrive anywhere," Markus concurs. To sit within uncertainty is brave, but it's also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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Released by: Morr Music

Album release date: January 29th 2021

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