
Electronic music production can sometimes be overwhelming, whether it’s a hobby or a professional career. On top of creatively pushing to new sonic limits and finding one’s unique style, EDM producers have to ensure they are on top of all their technical and equipment needs. Although this is typically not where the fun or magic happens, it is an important part of maximizing the potential of your sound.
Many individual components fall into this category within an artist’s entire array of equipment. However, one of the main essentials to producing high-caliber sound is audio cables. Given that they are looked at as a low costing item (when compared to the likes of synth pads, synthesizers, and your computer), producers often spend less time on picking out the optimal audio cables for themselves. It is common to settle on the first audio cable that catches your eye on Amazon or Guitar Center.
This lack of attention is because most electronic music producers are unaware of how much of an impact the quality of an audio cable can have on the quality of sound. The goal is to find a cable that provides a solid connection, durability, and clean audio output. Also, it should be noted that each type of cable has its unique features and uses. Choosing the right cable type will ensure the best audio quality.
Here are the main types of audio cables and what they are used for:
- RCA cables: RCA cables are used to connect audio and video devices. They have a plug at each end, with one end usually red and the other white.
- XLR cables: XLR cables are often used for professional audio applications, such as live performances and studio recordings. They have three pins and are designed to reduce interference.
- TRS cables: TRS cables are known as “tip, ring, sleeve” cables. They are commonly used for headphones and balanced audio connections.
- TS cables: TS cables, or “tip, sleeve” cables, are unbalanced cables commonly used for guitar and other instrument connections.
- Coaxial cables: Coaxial cables are used for digital audio connections. They are also used for television and cable connections.
- Optical cables: Optical cables, also known as TOSLINK cables, are used for digital audio connections. They transmit audio signals through light rather than electricity.
Now let’s dive into the list…
D’Addario PW-CMIC-10 Classic Series Microphone Cable – 10 Foot

Don’t let its standard appearance fool you. This classic microphone cable from D’Addario is forged from premium-grade material. Also known as an XLR cord, this sleek black cable is fitted with XLRF and XLRM (male and female) connectors.
Complementing the connectors, these cables contain ultra-pure oxygen-free copper conductors and nickel-plated plugs. To most, these features might seem irrelevant. But for EDM producers, they translate to high conductivity and very low capacitance for signal transparency. This means that little to no outside or background audio is let in when using these D’Addario cables.
Lastly, along with dense shielding, molded strain relief enables handling noise to be kept at minimum, expanding the cord’s longevity. With all of these beneficial aspects, it may be shocking to learn that these microphone cables are a steal. They can be purchased for the ridiculously lost cost of $12.58.
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Mogami Gold RCA-RCA Cable – 12 Foot

Another crucial cord for DJs and producers in the electronic music space to have is RCAs. At $63.95, they are a bit steeper priced than the last cable, but they serve a different purpose. Also, this option, in particular, is the “gold standard” in S/PDIF (Sony/Philips Digital Interface) cables. As a result, they are a common find in almost every recording studio and a fan-favorite for some of the most celebrated EDM artists on the planet.
Mogami’s RCA-RCA cables are nearly indestructible and insanely flexible. In addition to being top-of-the-line for digital (S/PDIF) use, they are an excellent fit for analog usage and come with a lifetime warranty. Embracing superior audio clarity and low-loss signal transfer, the Mogami Gold RCA-RCA Cable is the go-to for any music-related scenario.
If you are looking for a shorter or longer option, Mogami offers three-foot and six-foot cables for $44.95 and $52.95, respectively. A leader in all sorts of audio cables, Mogami also has excellent gold studio microphone cables in their product portfolio, from ten to 25 feet long.
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Hosa HMIC-025 Pro Microphone Cable 2-Pack – 25 Foot

The second microphone cables on our list are these incredible XLR cords from Hosa. Like the cable from D’Addario, this pair also has oxygen-free copper conductors. Fitted with silver-plated REAN connectors, they also have quite an impressive signal-to-noise ratio. Keeping your bank account in mind, the HMIC-025 is a fair-priced option leaving plenty of finances for other audio equipment.
Designed especially for musicians, producers, and DJs dedicated to the grind, Hosa is recognized for its durability and outstanding performance. Throwing this in your cart will guarantee that your sound is pristine. Whether you want one or two of these audio gems is up to you, but at $75, you save $4.90 by bundling (each 25-foot Hosa HMIC-025 Pro Microphone Cable sells for $39.95).
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Pro Co DK-20 Excellines Dual Instrument Patch Cable – Straight to Straight – 20 Foot

As our opening list of definitions mentioned, patch or TS cables are ordinarily used for instruments such as guitars. Many electronic producers, a significant amount of the idolized ones, are multi-instrumentalists too. Artists occasionally merge electronic and live soundscapes to create a captivating auditory aura in their original mixes.
Sharing their assessment of Pro Co’s audio cables, Sweetwater’s professional team states, “The exacting design of the entire line makes Pro Co cables the smart choice for your needs. From simple hookup cables to complex studio harnessing, only high-grade components and time-proven manufacturing techniques are employed.” This rains true regarding their unbalanced 20-foot patch cables, which can reach from one end of a normal-sized room to another.
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Hosa Little Bro’ 8×0 Sub Snake – 25 Foot

Even though it is our priciest option on the list, it will make perfect sense once you understand what the Hosa Sub Snake provides. Fitted with eight different 25-foot XLR cables, the sub-snake can simultaneously connect to many instruments, mics, or production gear. This is the optimal configuration for a drum microphone setup and an excellent studio selection for organizing a series of long cable runs.
Any Hosa product purchased in the USA, from cables to adapters to stage snakes to stage boxes, is warranted by Hosa Technology Inc. This ensures that your sub-snake will be free of defects in material and has a workmanship warranty for its entire lifetime.
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Pro Co EXM-15 Excellines Microphone Cable – 15 Foot

Following up the Pro Co Patch Cables is this top-tier 15-foot XLR cord. Whether using it throughout your entire studio or simply for a microphone, this cable delivers sound quality that will maximize your production capabilities.
A significant component of this cable is its Neutrik connectors. These connectors are purposed to last while distinguishing any possible cord problems that can occur from damage. Next is the Pro Co XLR’s clever cable design. Its oxygen-free wire and strong spiral shielding result in the market’s best noise rejection and signal quality.
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JUMPERZ JB2TRS-10 Blue Line 1/4-inch TRS Male to 1/4-inch TRS Male Patch Cable – 10 Foot

Closing out our list is a type of audio cable that we have yet to exemplify. Unlike TS or patch cables, these cords are balanced and used for mono or stereo signals. JUMPERZ is at the forefront of the spectrum of TRS cables for multiple reasons.
The first supporting evidence is that each solder point is wrapped in heat shrink to boost durability. Furthermore, noise rejection shielding cooperates with covered ground wire to forestall unnecessary interference and humming. Finally, blue-line copper and sturdy connectors indicate a robust and healthy signal. All of the above is set at a very affordable price of $33.99.
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Raised in upstate New York, I was always a big fan of music but never really listened to electronic music. Within the first month of attending Florida State University and meeting some new friends, I was introduced to the rave scene. After seeing Ekali at my first show, I was instantly hooked. Since then, I have dived into every subgenre of electronic music, picked up DJing, and mixed for clubs and different entertainment events in Tallahassee. Once graduating with degrees in marketing and hospitality, I was hired for a sales position. However, I recently decided to leave my sales job to pursue my dream of working in the music industry. Currently, I run Magnetic Magazine's Melodic Techno Charts, along with my role as a PR and marketing specialist for different artists and labels. Some of my favorite artists are REZZ, Kyle Watson, TOBEHONEST, San Pacho, Josh Baker, HUGEL, ARTBAT, Vintage Culture, Ganja White Night, CamelPhat, Green Velvet, Jungle, Milky Chance, Paco Versailles, Franc Moody, and RÜFUS DU SOL. My favorite festivals are Hulaween (by far), EDC Orlando, and all the different venues during Miami Music Week. Outside of music, I love sports (especially hockey, soccer, tennis, basketball, and spike ball), going to the movies, working out, sushi, Chick-fil-A, food in general, and hanging with my dog Maui and my cat Loki. Feel free to reach out to me via my email or on IG, I love expanding my network of friends and business opportunities!