Music Production

How It Was Made: JOKESONYOU & DJ IP – OTTF [Teletech]
Gear

How It Was Made: JOKESONYOU & DJ IP – OTTF [Teletech]

  • By Kane

  • Aug 18, 2026

Death On The Balcony Discuss Human Touch In The Studio
Gear

Death On The Balcony Discuss Human Touch In The Studio

  • By Will Vance

  • Aug 18, 2026

Harrison Flex-10 Puts Console Color on the Desk
Gear

Harrison Flex-10 Puts Console Color on the Desk

  • By Will Vance

  • Aug 18, 2026

How It Was Made: Myselor – Going Deeper (Evolution Chamber + Electronica)
Gear

How It Was Made: Myselor – Going Deeper (Evolution Chamber + Electronica)

  • By Will Vance

  • Aug 13, 2026

Dreamtonics Teases Its Next Vocal Tool
Gear

Dreamtonics Teases Its Next Vocal Tool

  • By Will Vance

  • Aug 13, 2026

How It Was Made: David Mayer, Nico Stojan & Tooker – I Am (SONARA Records + House)
Gear

How It Was Made: David Mayer, Nico Stojan & Tooker – I Am (SONARA Records + House)

  • By Will Vance

  • Aug 13, 2026

UJAM NEON Adds Human Feel to Electronic Drums
Gear

UJAM NEON Adds Human Feel to Electronic Drums

  • By Will Vance

  • Aug 12, 2026

BandLab Retune Gives Vocal Editing More Control
Gear

BandLab Retune Gives Vocal Editing More Control

  • By Will Vance

  • Aug 12, 2026

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Best Compact Digital Mixers: What I’d Buy in 2026
Gear

Best Compact Digital Mixers: What I’d Buy in 2026

  • By Will Vance

  • Aug 11, 2026

How It Was Made: FairPlay & Roo (JO) – Al Jaw (Places & Spaces + Afro House)
Gear

How It Was Made: FairPlay & Roo (JO) – Al Jaw (Places & Spaces + Afro House)

  • By Will Vance

  • Aug 11, 2026

OBNE Beam Splitter V2 Turns One Guitar Into Three Takes
Gear

OBNE Beam Splitter V2 Turns One Guitar Into Three Takes

  • By Will Vance

  • Aug 11, 2026

LEWITT LCT 440 PURE Stereo Pair Review: Two Microphones, One Seriously Smart Investment
Gear

LEWITT LCT 440 PURE Stereo Pair Review: Two Microphones, One Seriously Smart Investment

  • By David Ireland

  • Aug 9, 2026

Roland Keeps the 808 Moving Forward
Gear

Roland Keeps the 808 Moving Forward

  • By Will Vance

  • Aug 8, 2026

The Sway by Audima Labs Could Be the Most Innovative MIDI Controller of 2026
Gear

The Sway by Audima Labs Could Be the Most Innovative MIDI Controller of 2026

  • By Nick Wax

  • Aug 7, 2026

Mastering The Mix MIXVAULT Makes EQ Feel Less Like Guesswork
Gear

Mastering The Mix MIXVAULT Makes EQ Feel Less Like Guesswork

  • By Magnetic

  • Aug 7, 2026

MALUM shares eccentric, unique space-disco vibe on “Sunset” EP
Music

MALUM shares eccentric, unique space-disco vibe on “Sunset” EP

  • By Aidan Grant

  • Aug 7, 2026

Boris FX Sequoia Links Spatial Mixes
Gear

Boris FX Sequoia Links Spatial Mixes

  • By Will Vance

  • Aug 6, 2026

Best USB Mixers for Producers and Streamers in 2026: What I’d Buy (…And What I’d Skip)
Gear

Best USB Mixers for Producers and Streamers in 2026: What I’d Buy (…And What I’d Skip)

  • By Will Vance

  • Aug 5, 2026

Beatport Connect Returns to Hollywood
Industry

Beatport Connect Returns to Hollywood

  • By Will Vance

  • Aug 5, 2026

KRK Gives Studio Monitors Wireless Control
Gear

KRK Gives Studio Monitors Wireless Control

  • By Will Vance

  • Aug 4, 2026

Best Studio Monitor Stands for Desktop Setups in 2026: What I’d Buy (…And What I’d Skip)
Gear

Best Studio Monitor Stands for Desktop Setups in 2026: What I’d Buy (…And What I’d Skip)

  • By Will Vance

  • Aug 4, 2026

Fender Motion Turns Pads Into Song Starters
Gear

Fender Motion Turns Pads Into Song Starters

  • By Will Vance

  • Aug 4, 2026

Best MIDI Controllers For Hybrid Studios Without Routing Headaches
Gear

Best MIDI Controllers For Hybrid Studios Without Routing Headaches

  • By Will Vance

  • Aug 3, 2026

El Tony Sends Producers to Ibiza
Gear

El Tony Sends Producers to Ibiza

  • By Will Vance

  • Aug 3, 2026

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