Let’s explore Mixland’s latest offering, SUBLOOM. This review dives into the intricacies and performance of a tool that’s rapidly gaining attention in the music production arena. We’ll dissect SUBLOOM’s features, from its innovative ‘Pitch Dive’ section designed to emulate live drum sounds to its comprehensive EQ and unique saturation circuit. Our journey through this article aims to reveal how SUBLOOM stands up against the critical demands of modern music production.
In this review, we’ll also share firsthand experiences with SUBLOOM, discussing what makes it a standout in its field and where it might fall short. Expect insights into the plugin’s user experience, from the visually informative EQ to the subtleties of its tape-style saturation. We’ll also address the notable absence of certain features like parallel processing, offering a balanced perspective on how SUBLOOM fits into the toolkit of today’s music producers. So, let’s dive in…
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What Is Subloom By Mixland?
SUBLOOM stands out as a dynamic drum mixing console, blending advanced features with a user-friendly design. It caters to beginners and experienced engineers, offering a rich ‘Pitch Dive’ section for emulating live drum resonance. This is complemented by adjustable controls for speed, range, and decay, enabling precise shaping of the low-end bloom.
The EQ section is a highlight, featuring a High Pass and Low Pass Filter with resonant control for fine-tuning. Its British-style three-band EQ covers a wide frequency range, ensuring detailed sound sculpting. The versatility extends with a Pre/Post EQ option for flexible positioning in the signal chain.
At its core, SUBLOOM’s Transient Designer and Saturation Circuit add depth and character. With three saturation modes and a ‘Warp’ feature to adjust EQ and saturation interplay, it offers a range of sonic possibilities. All these features are packed into an intuitive interface, making SUBLOOM an essential, accessible tool for drum mixing.
What I Liked Most About Subloom
The Visual EQ

I’ll talk about how a lot is happening in this plugin shortly, but the visual EQ located directly in the center of the plugin’s layout is a key feature. It provides feedback on what the EQ section is doing and how it’s shaping the sound. The display of the EQ curve and the audio waveform is the perfect pairing to help shape and hone the sounds of your kick, bass, or drums.
Plus, I know this isn’t the most important aspect to focus on, but its addition makes the interface look fabulous, enhancing the overall user experience.
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The Tape Saturation

Overall, Subloom is a valuable toolbox for enhancing elements in a mix that benefit from additional weight. It seems elements like sub-bass are at their best with a touch of extra warmth and grit, an opportunity Mixland quickly seized. The tape-style saturation that Subloom offers is tasteful and satin-smooth, ideal for warming up lower frequencies. Excessive saturation or distortion can render your sub muddy and overpowering.
However, Subloom’s subtle coloration allows for a weighty, warm low end that remains manageable and mix-friendly. This makes Subloom an indispensable tool in any sub-bass toolkit.
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Lots is Going On Under The Hood

This plugin packs a surprising amount of functionality beneath its simple interface. Despite its apparent simplicity, it offers a rich array of controls for EQ, compression, saturation, and dynamics management. The user-friendly design is further enhanced by the ‘Wrap’ parameter, as described on the product’s website, which fine-tunes the interplay between saturation and EQ settings.
While there’s likely some sophisticated coding and algorithms behind this plugin’s performance, the bottom line is its sound quality and ease of use, which it delivers exceptionally well.
What I Wasn’t Crazy About
Lack Of Parallel Processing

Mixing low-end requires precision and accuracy, so it’s essential to have control over your mixing decisions. One notable omission in Subloom is the dry/wet control, which would be highly beneficial for adjusting the effect’s intensity on a channel or bus. I often needed just a hint of the additional weight offered by this plugin. While it’s possible to tweak the saturation or EQ levels directly on the plugin, including a dry/wet feature would enhance its usability.
This feature might contradict the analog essence that Subloom seems to embody, as traditional analog processing often operates on an all-or-nothing basis, barring auxiliary channel routing. Nonetheless, it’s a functionality that would have been a welcome addition.
As an Ableton user, I work around this by grouping the plugin into a rack, allowing it to be split across different channels. This method effectively compensates for the lack of a built-in dry/wet control, but it’s worth mentioning for those considering Subloom.
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Final Thoughts
In conclusion, Mixland’s SUBLOOM is a formidable player in drum mixing consoles. Its blend of innovative features like the ‘Pitch Dive’ section and a robust EQ framework caters to a wide spectrum of production needs, from subtle sound sculpting to significant tonal transformations. The user-friendly interface and the unique ‘Warp’ feature for adjusting EQ and saturation interplay make it an attractive option for beginners and seasoned professionals.
However, the absence of a dry/wet control is a notable drawback, particularly for those seeking finer control over parallel processing. While not a deal-breaker, this limitation requires some creative workarounds, especially for users who rely heavily on nuanced adjustments. Despite this, SUBLOOM’s overall performance, from its precise transient design to its versatile saturation circuit, solidifies its position as a valuable tool in any producer’s arsenal. Whether SUBLOOM is the right fit for you depends on your specific needs and workflow, but it undoubtedly stands as a strong contender in drum mixing solutions.
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Will Vance is a professional music producer who has been involved in the industry for the better part of a decade and has been the managing editor at Magnetic Magazine since mid-2022. In that time period, he has published thousands of articles on music production, industry think pieces and educational articles about the music industry. Over the last decade as a professional music producer, Will Vance has also ran multiple successful and highly respected record labels in the industry, including Where The Heart Is Records as well as having launched a new label with a focus on community through Magnetic Magazine. When not running these labels or producing his own music, Vance is likely writing for other top industry sites like Waves or the Hyperbits Masterclass or working on his upcoming book on mindfulness in music production. On the rare chance he's not thinking about music production, he's probably running a game of Dungeons and Dragons with his friends which he has been the dungeon master for for many years.